Some reviews
“The flute solo, written and performed by Dimow, was a feast for the ears and spirit. The program illustrated his ability to perform within and outside the parameters of classical music.” - FACE Magazine
about Kolosko Dimow Duo's nos·tal·gia:
“The Bachianas Brasileiras by Villa-Lobos is stunning on bass flute. This is a great recording that I highly recommend.” - Flute Talk Magazine
"Nostalgia features some truly sublime playing, both meditative and playful, as well as a successful delivery of the sentiment expressed in the title." - Portland Phoenix
about Casco Bay Tummlers Journey:
“This is true folk music of the Klezmer kind, paying tribute to the deep roots of the music from Eastern Europe and beyond. Fun and frolic, but also pathos and yearning abound. This is emotionally charged music, played with abandon by musicians who are clearly comfortable with each other…. The reworking of two classic tunes for clarinet into flute solos is just brilliant.” - Elizabeth Watson, Greater Boston Flute Association
Flute and Guitar Recital with Keith Crook:
“The skills and abilities of this duo were immediately apparent… Dimow mesmerized his audience with what I can only describe as an aural hologram of multiphonics, key slaps and the ancient technique of circular breathing. The audience responded with strong applause.” - FACE Magazine
Jazz review:
“The music they play is fresh, real jazz unfurling, flapping and snapping before our eyes and ears, with a repertoire that reflects these men's deep musicality….. Dimow truly understands his instrument. His large musical vocabulary informs and expands, never confines, his jazz performance.” - Maine Times
Flute and Piano Recital with Cheryl Tschanz:
“The closing piece, Sonata in D by Sergei Prokofiev, brought the whole concert together. The audience was at its rapt best. It is impossible to even think of anyone saying a single thing in the face of the beauty of the music.” - Bridgton News
Theater Review - She-Who-Loves:
“Other reviewers might have begun with the music. I acknowledge my limitation in describing this extraordinary score. Chants and rounds entrance and float through this haunting production.” - The Times Record